Browsing by Author "Dagalp, Ileyha"

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    Konsumtionsrapporten 2025
    (Centrum för konsumtionsforskning och Centre for Retailing, 2025-06) Berg, Christina; Dagalp, Ileyha; Hagberg, Johan; Hansson, Lena; Holmberg, Ulrika; Sörum, Niklas; Wanselius, Julia; Hagberg, Johan; Hansson, Lena; Holmberg, Ulrika; Sörum, Niklas
    I Konsumtionsrapporten 2025 sammanfattas och analyseras konsumtionen i Sverige under 2024. I den första delen, ”Hushållens konsumtion” ges en översikt över den privata konsumtionen i Sverige och hur den förändrats. Här beskrivs även hållbarhetsaspekter på konsumtionen samt hushållens framtidsförväntningar på den egna ekonomin. I andra delen, ”Detaljhandeln” beskrivs försäljning och utveckling inom detaljhandeln under 2024 med fokus på olika delbranscher, kanaler och platser, inom e-handeln respektive den butiksbaserade detaljhandeln. Den andra delen avslutas med handelns framtidsförväntningar. Årets Konsumtionsrapport innehåller två fördjupningsdelar som var en och analyserar aktuella teman inom konsumtion. I den första fokuserar Julia Wanselius och Christina Berg, båda vid Institutionen för kost- och idrottsvetenskap vid Göteborgs universitet, på sockerkonsumtion bland ungdomar i Sverige, särskilt från söta drycker och sötsaker, och dess hälsokonsekvenser. I den andra fördjupningsdelen belyser Ileyha Dagalp, postdoc på Handelshögskolan vid Göteborgs universitet, hur vegansk konsumtion tidigare var förankrad i protest men idag gestaltas genom olika estetiska uttryck som omformulerar vad veganism betyder och vem den är till för.
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    Myth Aestheticization
    (2022-04-22) Dagalp, Ileyha
    This thesis theorizes the process of myth aestheticization for marketing and consumption. A concept of myth aestheticization springs from a simple yet complex idea: What if something is not “aesthetic” in and by itself, but it is made “aesthetic”? This thesis would like to refine the argument that aestheticization entails a process that typically translates myths into beautiful, sublime ideals and (re-)produces as something beautiful and/or sublime by brands and consumers, is a way through which consumer culture operates. In that aestheticization, there is a symbiosis between myth and consumption/brand activity. Following Böhme (1993; 2003; 2013) and Holt (2003; 2004; 2006), this thesis expands aesthetic work by investigating the different domains of it and contributes to the refined understanding of mythmaking. To explore myth aestheticization, this thesis brings together a variety of empirical contexts – brand experience design executives, amateur hobbyists of historical re- enactments, and retro appreciators – to illustrate how these producers and consumers incorporate myth aestheticization, thereby (re-)producing myths in consumer society. Considered alongside one another, these empirical contexts offer a vital complement to discussions of myth-making emergent in these aesthetic-related market activities. The findings show the ways through which myths are (re- )produced as being beautiful and/or sublime ideals through three major processes: cultivation, staging, and circulation. The myth aestheticization process helps to explain how discourses are promulgated through material and bodily actions through which enchantment can be produced by means of aesthetic work. Taken together, the studies illustrate how consumer cultural actors aestheticize myths in ways that reflect cultural tensions and enable economic profitability. The ideological aim of myth aestheticization is to make both the myth and the brand/product/place that carries the aestheticized myth enchanting. This understanding of myth aestheticization holds important implications for understanding key processes in consumer culture on the level of brands as well as consumers, for marketing practitioners, and for future research.