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Browsing by Author "Leffler, Yvonne"

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    Aspects of the Fantastic and the Gothic in Nineteenth-Century Scandinavian Literatur
    (2008) Leffler, Yvonne
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    Editorial - Introduction
    (LIR. journal, 2016) Demker, Marie; Leffler, Yvonne; Sigurdsson, Ola
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    I skräckens lustgård : skräckromantik i svenska 1800-talsromaner
    (1991) Leffler, Yvonne
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    Sigge Stark. Sveriges mest produktiva, utskällda och lästa författare
    (2015-03-31) Leffler, Yvonne; Institutionen för litteratur, idéhistoria och religion, Göteborgs universitet
    Sigge Stark, pseudonym för Signe Björnberg, är förmod­ligen Sveriges mest folkkära bästsäljare genom tiderna. Ständigt utgiven i stora upplagor och en tillgång för både förlag och tidningar, men också utskälld av kritikerna och stämplad som producent av skräplitteratur. ”Men om femtio år kommer hon att räknas till de klas­siska svenska författarna och utges i minnesupplaga i halv­ franskt band med namnet Sigge Stark i guld på bokryg­ gen”. Detta hävdade Marie­Louise Rudolfsson på Åhlén & Åkerlunds förlag efter Signe Björnbergs död. Det är nu femtio år sedan hon dog i Arvika 1964. Hon har ännu inte fått något erkännande som författare och någon påkostad minnesupplaga av hennes 115 romaner och ca 500 noveller har inte heller utkommit. Namnet Sigge Stark förknippas än idag med storsäljande och massproducerad underhållningslitteratur. Så vad skrev hon egentligen? Sigge Stark. Sveriges mest produktiva, utskällda och lästa författare svarar på frågan var­ för Sigge Stark blev en av sin tids mest folkkära författare, samtidigt som hon också blev kritikernas strykpojke. Yvonne Leffler belyser i denna studie fenomenet Sigge Stark ur flera perspektiv: framgångsreceptet, berättartek­niken, varför Sigge Stark­berättelserna uppfattades som skadlig läsning, vilka föreställningar och läsarbehov som tillfredsställs i hennes landsbygdsromaner, kriminalberät­telser, beredskapsromaner och noveller.
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    Swedish Nineteenth-Century Novels as World Literature: Transnational Success and Literary History
    (LIR.Skrifter, 2020-09-07) Leffler, Yvonne; Department of Literature, History of Ideas, and Religion
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    Swedish Women’s Writing on Export. Tracing Transnational Reception in the Nineteenth Century
    (Department of Literature, History of Ideas, and Religion, University of Gothenburg, 2019-09-04) Leffler, Yvonne; Arping, Åsa; Bergenmar, Jenny; Hermansson, Gunilla; Johansson Lindh, Birgitta; Leffler, Yvonne
    While 19th century Sweden may have remained peripheral to world events, Swedish literature was remarkably successful – even decades before the Scandinavian Modern Breakthrough. Several of the most prominent writers in Sweden were women. Using digitized materials, various methods of visualization and theoretical tools, this study reveals a new and fascinating history of the export of Swedish literature. Five case studies illustrate the rapidly changing conditions of literary transfer during the century, and the central role played by women writers. A chapter on the Romantic poet Julia Nyberg (Euphrosyne) emphasizes the significance of poetry in both translation and reception during the early part of the century. Chapters on the novelists Fredrika Bremer and Emilie Flygare-Carlén highlight new aspects of the transcultural and transmedial dissemination of top-selling writers in the mid- to late 19th century. A chapter on Anne Charlotte Leffler, the premier female playwright of the Modern Breakthrough, explores the complex migration of socially radical dramas written in a minor language. A final chapter examines the various ways in which the neo-romantic prose writer Selma Lagerlöf was put to use in different parts of Europe around 1909 – the year she was awarded the Nobel Prize in Literature.
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    The Triumph of the Swedish Nineteenth-Century Novel in Central and Eastern Europe
    (LIR.skrifter, 2019-04-01) Leffler, Yvonne; Stohler, Ursula; Vimr, Ondřej; Mádl, Péter; Annus, Ildikó; Wasilewska-Chmura, Magdalena; Leffler, Yvonne; Department of Literature, History of Ideas, and Religion, University of Gothenburg
    The reception of Swedish nineteenth-century novels by women writers is a success story. Two Swedish top-selling novelists in Central and Eastern Europe were Emilie Flygare-Carlén (1807–1892) and Marie Sophie Schwartz (1819–1894). In the mid- and late nineteenth century, their novels were widely circulated in German translations but also translated into other local languages within the Austrian Empire, such as Hungarian, Czech, and Polish. In this pioneering volume, six scholars with expertise in Scandinavian literature and the local Central and Eastern European languages and cultures, explore the remarkable reception of Flygare-Carlén and Schwartz in German, Hungarian, Czech and Polish culture. These studies offer a thorough mapping of the transcultural transmission of Flygare-Carlén’s and Schwartz’ works in Central and Eastern Europe, as well as an expanded discussion on their introduction, reception and literary status in the Czech, Hungarian and Polish literary systems.

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