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dc.contributor.authorSutcliffe, Barrie James
dc.date.accessioned2009-06-29T10:34:26Z
dc.date.available2009-06-29T10:34:26Z
dc.date.issued2009-06-29T10:34:26Z
dc.identifier.urihttp://hdl.handle.net/2077/20533
dc.description.abstractAn exposition and contextualization of the author’s art practice framed by an investigation into the insights afforded by quantum physics and the cognitive sciences as applied to the creative process. This is presented expressively and non-linearly in various styles of writing. Ranging from scholarly text to casual diary writing to concrete poetry, comments are presented on the advantages, disadvantages, and limits of the use of text as exposition of artwork and creative processes in general. Importance is also placed on the graphic presentation of such text. It is suggested that different styles of writing display different levels of efficiency for communicating certain types of information. It follows that some styles of writing are simply inappropriate for some messages. The text aims to discuss the context of the art practice rather than the results of it. Discussing the meaning of the present works is irrelevant, hence a true meaning is never disclosed.en
dc.language.isoengen
dc.relation.ispartofseriesReport/Department of Applied Information Technologyen
dc.relation.ispartofseries2009:017en
dc.subjectconsciousnessen
dc.subjectcreativityen
dc.subjectDavid Bohmen
dc.subjectinformationen
dc.subjectinstallation arten
dc.subjectneuroscienceen
dc.subjectnoise musicen
dc.subjectpoetryen
dc.subjectquantumen
dc.subjectsound arten
dc.titleCOLLECTION AND DISSOLUTION Wholeness, the creative process, and the limitations of texten
dc.typeTexteng
dc.setspec.uppsokTechnology
dc.type.uppsokD
dc.contributor.departmentIT-universitetet i Göteborg/Tillämpad informationsteknologiswe
dc.contributor.departmentIT University of Gothenburg/Applied Information Technologyeng
dc.type.degreeMaster theseseng


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