dc.contributor.author | Sjöberg, David C | |
dc.date.accessioned | 2011-03-01T07:48:08Z | |
dc.date.available | 2011-03-01T07:48:08Z | |
dc.date.issued | 2011-03-01 | |
dc.identifier.uri | http://hdl.handle.net/2077/24746 | |
dc.language.iso | swe | sv |
dc.subject | subversiv | sv |
dc.subject | underground | sv |
dc.subject | film | sv |
dc.subject | postmodernism | sv |
dc.subject | camp | sv |
dc.subject | skräpkultur | sv |
dc.subject | kontradiskurs | sv |
dc.subject | performativ marginalitet | sv |
dc.subject | kuturellt kapital | sv |
dc.subject | auteurteori | sv |
dc.subject | avantgarde | sv |
dc.subject | nick zedd | sv |
dc.subject | harmony korine | sv |
dc.subject | john waters | sv |
dc.title | Some people get it. Others are assholes. Kontradiskurs, subversiv potential, hegemonisk makt och performativ marginalitet utifrån tre nivåer av skräpkultur. | sv |
dc.type | Text | |
dc.setspec.uppsok | HumanitiesTheology | |
dc.type.uppsok | M2 | |
dc.contributor.department | University of Gothenburg/Department of Cultural Sciences | eng |
dc.contributor.department | Göteborgs universitet/Institutionen för kulturvetenskaper | swe |
dc.type.degree | Student essay | |