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dc.contributor.authorVillafranca, Xavier
dc.date.accessioned2011-03-01T13:17:21Z
dc.date.available2011-03-01T13:17:21Z
dc.date.issued2011-03-01
dc.identifier.urihttp://hdl.handle.net/2077/24752
dc.description.abstractThis work contains a array of approaches regarding the art making process, the interpretation of a nished work and the construction of an artist's history. An attempt is made by the author to explain and re ect on his art process by evaluating and comparing on his own personal works developed within the two years of the C:Art:Media masters programme. Di erent lines of thought and philosophies have been applied and questioned in order to better understand the concept of process in art. The document is structured using the analogy of a straight line and combined with a set of interruptions that occur periodically throughout the text. Concepts regarding linearity, order, completeness and fragmentation in the art process are evaluated and challenged using examples of displayed artwork, unrealized ideas and the structure of the document itself.sv
dc.language.isoengsv
dc.relation.ispartofseriesReport/Department of Applied Information Technologysv
dc.relation.ispartofseries2010:038sv
dc.subjectart processsv
dc.subjectnished artworksv
dc.subjectfragmentationsv
dc.subjectentropysv
dc.subjectartist's storysv
dc.subjectlinearitysv
dc.subjectinterruptionssv
dc.subjectbecomingsv
dc.subjectdisplayed objectsv
dc.titleSubstance as a Passing Event - Stability and interruption on an ever expanding and contracting art processsv
dc.typeTexteng
dc.setspec.uppsokTechnology
dc.type.uppsokH2
dc.contributor.departmentIT-universitetet i Göteborg/Tillämpad informationsteknologiswe
dc.contributor.departmentIT University of Gothenburg/Applied Information Technologyeng
dc.type.degreeMaster theseseng


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