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dc.date.accessioned2012-12-13T08:22:39Z
dc.date.available2012-12-13T08:22:39Z
dc.date.issued2011
dc.identifier.urihttp://hdl.handle.net/2077/31747
dc.subjectSound recordingsv
dc.subjectJazzsv
dc.subjectFolk musicsv
dc.titleSinikka Langeland: The land that is notsv
dc.title.alternativeThe land that is notsv
dc.type.svepartistic work
dc.contributor.creatorJormin, Anders
art.typeOfWorkSound recordingsv
art.relation.publishedInECM 2011sv
art.description.projectProject On “The Land That Is Not”, Norwegian singer and kantele player Sinikka Langeland builds upon the blueprint established with “Starflowers” with her quintet. The band is stronger now, the musicians having played concerts with Sinikka in the intervening years in diverse permutations and also strengthening their improvisational understanding with shared work in other contexts – Henriksen playing in Seim’s large ensemble, for instance, Seim and Ounaskari working together in Iro Haarla’s group, and so on, the circle of influence continuing to widen. And Anders Jormin, who has been Sinikka’s preferred bassist since the mid-1990s, also contributes as co-composer of two pieces here. For their new quintet recording, Sinikka takes as her inspirational starting point poetry of Edith Södergran (1892-1923) and Olav Håkonson Hauge (1908-1994). Södergran, Swedish-speaking poet in Raivola, near St Petersburg, counts now as one of the pioneers of modernist Swedish poetry, but in a brief life terminated by tuberculosis lived to see little recognition for her work. “The Land That is Not” (“Landet som icke är”) was amongst her last poems, and has been compared to Chuang-Tzu’s “Homeland of Nothing Whatsoever”, a work of spiritual detachment, claiming its distance from the chaos of human society. CD booklet for “The Land That Is Not” includes lyrics in Swedish and Norwegian with English translations.sv
art.description.summarySinikka Langeland: vocal, kantele Arve Henriksen: trumpet Trygve Seim: soprano and tenor saxophones Anders Jormin: double-bass Markku Ounaskari: drums Further adventures at the interstices of folk music and jazz-rooted improvisation, as Sinikka Langeland takes the work begun on the much praised “Starflowers” to the next level. As the Irish Times’s Ray Comiskey noted of the earlier disc: “Sinikka Langeland is a gifted folk singer, but not one stifled by tradition. Her ability to work seamlessly with jazz musicians, as she does so memorably here, is part of the reason for the success of this marriage of folk, jazz and poetry. (…) Individually and collectively, the quintet is superb, Henriksen and Seim play brilliantly off the voice and each other, while the group catches a variety of moods persuasively; they can groove with understated power (…)” All of this applies with equal pertinence to “The Land That Is Not”.sv
art.relation.urihttp://player.ecmrecords.com/langelandsv


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