dc.contributor.author | Alnäs, Sofie | |
dc.date.accessioned | 2013-04-24T08:08:43Z | |
dc.date.available | 2013-04-24T08:08:43Z | |
dc.date.issued | 2013-04-24 | |
dc.identifier.uri | http://hdl.handle.net/2077/32777 | |
dc.description.abstract | The urban physical practice of parkour can be described as male dominated. In this
paper, however, I choose to focus on women participating in the sport. My material
consist of interviews with five Swedish women who regularly perform parkour.
Through the phenomenology of Simone de Beauvoir, Iris Marion Young and Sara
Ahmed, I analyze the women’s relationship to the body and (public) space. My
conclusion is that engaging in parkour has changed the way the women understand
their own corporeality, from an “I cannot” to an “I can”. In this sense, parkour has
helped the women overcome what Young calls an “inhibited intentionality”. Another
conclusion is that practising parkour has led to a reorientation of their relation to the
world. Parkour has created a wonder; the capacity to leave behind the place of the
ordinary. | sv |
dc.language.iso | swe | sv |
dc.subject | parkour | sv |
dc.subject | genus | sv |
dc.subject | kroppslighet | sv |
dc.subject | rumslighet | sv |
dc.subject | fenomenologi | sv |
dc.title | FÖRVÅNANDE KAPABEL - kroppslighet och rumslighet i fem kvinnors erfarenheter av parkour | sv |
dc.type | Text | |
dc.setspec.uppsok | HumanitiesTheology | |
dc.type.uppsok | M2 | |
dc.contributor.department | University of Gothenburg/Department of Cultural Sciences | eng |
dc.contributor.department | Göteborgs universitet/Institutionen för kulturvetenskaper | swe |
dc.type.degree | Student essay | |