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dc.contributor.authorBrengesjö, Frida
dc.date.accessioned2013-09-13T12:58:48Z
dc.date.available2013-09-13T12:58:48Z
dc.date.issued2013-09-13
dc.identifier.urihttp://hdl.handle.net/2077/33928
dc.description.abstractThrough participant observation in a local promoter group of hardcore punk shows in Gothenburg and qualitative interviews with its members I have investigated links between taste in music, values and social structures in the hardcore punk scene. The theoretical framework of this essay is built upon the concept of subcultural capital, which is adapted from Pierre Bourdieu and developed by Sarah Thornton and Keith Kahn-Harris. The result shows how members among the hardcore punk scene create and preserve distinction towards others, while the distinction becomes important benchmarks for including and excluding practices in the scene.sv
dc.language.isoswesv
dc.subjectHardcore punksv
dc.subjectmusicsv
dc.subjectsubcultural capitalsv
dc.titleAntiestetik - En studie kring musiksmak, värderingar och sociala strukturer inom hardcorescenensv
dc.typeText
dc.setspec.uppsokHumanitiesTheology
dc.type.uppsokM2
dc.contributor.departmentUniversity of Gothenburg/Department of Cultural Scienceseng
dc.contributor.departmentGöteborgs universitet/Institutionen för kulturvetenskaperswe
dc.type.degreeStudent essay


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