The record ADSR consists of four text/sound compositions. On one level it is about how a sound developes and transforms in time and space and on another it is about political violence. The four compositions constitutes specific stagings of volume, timbre, resonance and terrorism. The individual works are realized from different premises, as location of recording, technical conditions, orchestration and method. All this to establish a correspondence with the leading feature of the titles, something that has resulted in four different soundscapes. What is a reaction on what? Where does the society end?