dc.contributor.author | Hallberg, Sofia | |
dc.date.accessioned | 2014-02-19T15:10:12Z | |
dc.date.available | 2014-02-19T15:10:12Z | |
dc.date.issued | 2014-02-19 | |
dc.identifier.uri | http://hdl.handle.net/2077/35181 | |
dc.description.abstract | Since none of W.A Mozart's own cadenzas for his Violin Concerto no. 4 in D major have been preserved, and there is only one existing standard cadenza by Joseph Joachim, I have chosen to write my own cadenza, but in the end I decided to write three cadenzas. As a background to my thesis I analyzed and studied the different motives in the first movement, as well as four cadenzas from different eras. I made a comparison of these four cadenzas, looking at how the composers have used the different themes and motives from the concerto. I have also explained the meaning and purpose of the term cadenza. Finally I have described how I composed my cadenzas. Daniel Türk has given guidelines for composing a cadenza and I have partially used them in composing my cadenzas. | sv |
dc.language.iso | swe | sv |
dc.subject | violin | sv |
dc.subject | concerto no 4 | sv |
dc.subject | W.A Mozart | sv |
dc.subject | Daniel Türk | sv |
dc.subject | Joseph Joachim | sv |
dc.subject | Leopold Auer | sv |
dc.subject | Gidon Kremer | sv |
dc.subject | James Ehnes | sv |
dc.title | Mozarts violinkonsert nr 4 i d-dur, sats 1 | sv |
dc.type | Text | |
dc.setspec.uppsok | FineArt | |
dc.type.uppsok | H2 | |
dc.contributor.department | University of Gothenburg/Academy of Music and Drama | eng |
dc.contributor.department | Göteborgs universitet/Högskolan för scen och musik | swe |
dc.type.degree | Student essay | |