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dc.contributor.authorHallberg, Sofia
dc.date.accessioned2014-02-19T15:10:12Z
dc.date.available2014-02-19T15:10:12Z
dc.date.issued2014-02-19
dc.identifier.urihttp://hdl.handle.net/2077/35181
dc.description.abstractSince none of W.A Mozart's own cadenzas for his Violin Concerto no. 4 in D major have been preserved, and there is only one existing standard cadenza by Joseph Joachim, I have chosen to write my own cadenza, but in the end I decided to write three cadenzas. As a background to my thesis I analyzed and studied the different motives in the first movement, as well as four cadenzas from different eras. I made a comparison of these four cadenzas, looking at how the composers have used the different themes and motives from the concerto. I have also explained the meaning and purpose of the term cadenza. Finally I have described how I composed my cadenzas. Daniel Türk has given guidelines for composing a cadenza and I have partially used them in composing my cadenzas.sv
dc.language.isoswesv
dc.subjectviolinsv
dc.subjectconcerto no 4sv
dc.subjectW.A Mozartsv
dc.subjectDaniel Türksv
dc.subjectJoseph Joachimsv
dc.subjectLeopold Auersv
dc.subjectGidon Kremersv
dc.subjectJames Ehnessv
dc.titleMozarts violinkonsert nr 4 i d-dur, sats 1sv
dc.typeText
dc.setspec.uppsokFineArt
dc.type.uppsokH2
dc.contributor.departmentUniversity of Gothenburg/Academy of Music and Dramaeng
dc.contributor.departmentGöteborgs universitet/Högskolan för scen och musikswe
dc.type.degreeStudent essay


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