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dc.contributor.authorHalse, Rolf
dc.contributor.editorCarlsson, Ulla
dc.date.accessioned2014-11-07T13:19:50Z
dc.date.available2014-11-07T13:19:50Z
dc.date.issued2014-06
dc.identifier.citationNordicom Review, 35 (1) p. 65-79sv
dc.identifier.issn1403-1108
dc.identifier.other10.2478/nor-2014-0005
dc.identifier.urihttp://hdl.handle.net/2077/37348
dc.description.abstractIn the analogue era, fan studies explored localized resistance within fan communities’ cul - tural practices, examining how this might lead to new understandings of gender, sexuality, and race. However, there has been less work that examines the consequences fans’ cultural practices using digital media have for the cultural politics of ‘poaching’. The current article presents a study of online fans’ perceptions of positively depicted Muslim characters from the Middle East in the television serial, 24 . Like the rest of the show’s regular cast, these characters should be in focus for fans in their competing interpretations and evaluations of each episode in online discussion forums. The study comprises a comparison of how two online fan communities, one in the US and one in Norway, perceive counter-stereotypical Muslim characters. An analysis of fans’ readings is carried out, and one central finding is that fans appropriated '24’s counter-stereotype in ways that can be described as reactionary.sv
dc.format.extent15 p.sv
dc.language.isoengsv
dc.publisherNordic Council of Ministers, Nordicomsv
dc.subjectonline television fanssv
dc.subjectMuslim characterssv
dc.subjecttextual poachingsv
dc.subjectcounter-stereosv
dc.titleTextual Poaching, Gamekeeping and the Counter-stereotype US and Norwegian Online Fans’ Perceptions of Positive Portrayals of Muslims in ‘24’sv
dc.typeTextsv
dc.type.sveparticle, peer reviewed scientificsv


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