Ubiquitous Absence Character Engagement in the Contemporary War Film

dc.contributor.author	Pötzsch, Holger
dc.contributor.editor	Carlsson, Ulla
dc.date.accessioned	2014-11-14T10:11:59Z
dc.date.available	2014-11-14T10:11:59Z
dc.date.issued	2013-06
dc.identifier.citation	Nordicom Review 34 (2013) 1, pp. 125-144	sv
dc.identifier.isbn	978-91-86523-67-1
dc.identifier.other	DOI: 10.2478/nor-2013-0047
dc.identifier.uri	http://hdl.handle.net/2077/37390
dc.description.abstract	The present article provides an analysis of the narrative and technical devices through which contemporary war films frame audience engagement with characters. It compiles and sys - tematizes a wide set of empirical findings and exemplifies these through brief, illustrative readings of a selection of films. Combining Smith’s approach to film reception with insights from Laclau and Mouffe’s theory of discourse, the article argues for the significance of the identified audio-visual rhetoric for political discourse and practice.	sv
dc.format.extent	20	sv
dc.language.iso	eng	sv
dc.publisher	Nordic Council of Ministers, Nordicom	sv
dc.subject	war film	sv
dc.subject	character engagement	sv
dc.subject	allegiance	sv
dc.subject	enemy framing	sv
dc.subject	cognitive theory	sv
dc.subject	subject position theory	sv
dc.title	Ubiquitous Absence Character Engagement in the Contemporary War Film	sv
dc.type	Text	sv
dc.type.svep	article, peer reviewed scientific	sv
dc.contributor.organization	Department of Culture and Literature, Tromsø University	sv