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dc.contributor.authorHirdman, Anja
dc.contributor.editorCarlsson, Ulla
dc.date.accessioned2014-11-21T08:26:43Z
dc.date.available2014-11-21T08:26:43Z
dc.date.issued2010-06
dc.identifier.citationNordicom Review 31 (2010) 1, pp. 3-13sv
dc.identifier.isbn978-91-86523-05-3
dc.identifier.urihttp://hdl.handle.net/2077/37445
dc.description.abstractOne emerging form of communication discussed in the present article is the use of visual self-representation as a tool for symbolic interaction between young people on the In -ternet. Using examples of difference and similarity in young women’s and men’s visual self-representation, the article offers an interpretation of these practices, pointing towards both new visual conventions and references to pre-existing media representations, thus revealing a process of hypervisuality . In this process of transformation, the involvement of new technologies, such as webcam aesthetics and its form of intimacy and authenticity, produces specific visual conventions within the frame of pre-existing media imagery, when the self is presented in online communication.sv
dc.format.extent12sv
dc.language.isoengsv
dc.publisherNordic Council of Ministers, Nordicomsv
dc.relation.ispartofseriesNordicom Reviewsv
dc.relation.ispartofseries1/2010sv
dc.subjectGendersv
dc.subjectyouthsv
dc.subjectvisual communicationsv
dc.subjectwebcam aestheticssv
dc.titleVision and Intimacy Gendered Communication Onlinesv
dc.typeTextsv
dc.type.sveparticle, peer reviewed scientificsv


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