dc.contributor.author | Hirdman, Anja | |
dc.contributor.editor | Carlsson, Ulla | |
dc.date.accessioned | 2014-11-21T08:26:43Z | |
dc.date.available | 2014-11-21T08:26:43Z | |
dc.date.issued | 2010-06 | |
dc.identifier.citation | Nordicom Review 31 (2010) 1, pp. 3-13 | sv |
dc.identifier.isbn | 978-91-86523-05-3 | |
dc.identifier.uri | http://hdl.handle.net/2077/37445 | |
dc.description.abstract | One emerging form of communication discussed in the present article is the use of visual
self-representation as a tool for symbolic interaction between young people on the In
-ternet. Using examples of difference and similarity in young women’s and men’s visual
self-representation, the article offers an interpretation of these practices, pointing towards both new visual conventions and references to pre-existing media representations, thus revealing a process of
hypervisuality . In this process of transformation, the involvement
of new technologies, such as webcam aesthetics and its form of intimacy and authenticity, produces specific visual conventions within the frame of pre-existing media imagery, when the self is presented in online communication. | sv |
dc.format.extent | 12 | sv |
dc.language.iso | eng | sv |
dc.publisher | Nordic Council of Ministers, Nordicom | sv |
dc.relation.ispartofseries | Nordicom Review | sv |
dc.relation.ispartofseries | 1/2010 | sv |
dc.subject | Gender | sv |
dc.subject | youth | sv |
dc.subject | visual communication | sv |
dc.subject | webcam aesthetics | sv |
dc.title | Vision and Intimacy Gendered Communication Online | sv |
dc.type | Text | sv |
dc.type.svep | article, peer reviewed scientific | sv |