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dc.contributor.authorKarlsen, Faltin
dc.contributor.authorSundet, Vilde Schanke
dc.contributor.authorTrine, Syvertsen
dc.contributor.authorEspen, Ytreberg
dc.contributor.editorCarlsson, Ulla
dc.date.accessioned2014-11-21T10:15:41Z
dc.date.available2014-11-21T10:15:41Z
dc.date.issued2009-05
dc.identifier.citationNordicom Review 30 (2009) 1, pp. 19-36sv
dc.identifier.isbn978-91-89471-75-7
dc.identifier.issn1403-1108
dc.identifier.urihttp://hdl.handle.net/2077/37468
dc.description.abstractThis article presents an empirically based examination of how the Norwegian television industry incorporates audience activity and audience-generated material, and of how audiences respond to the opportunities presented. It explores three main research questions: First, how extensive is audience activity on television? Second, to what degree do different television activities correspond to familiar patterns of social stratification? And third, is there any evidence for the view that digital feedback channels, such as SMS and the Web, provide access to television for new groups of people? To investigate these questions, a case study of the Norwegian media market has been carried out, based on two data sets. The extent of audience activity is examined through a representative audience survey conducted during a period of two weeks in 2004. The second data set is a one-week survey of Norwegian television output on the six Norwegian-language channels in 2005sv
dc.format.extent18 p.sv
dc.language.isoengsv
dc.publisherNordic Council of Ministers, Nordicomsv
dc.subjectbroadcast televisionsv
dc.subjectaudience surveysv
dc.subjectoutput surveysv
dc.subjectmedia hierarchiessv
dc.subjectSMS-based formatssv
dc.subjectaudience activitysv
dc.titleNon-professional Activity on Television in a Time of Digitalisation. More Fun for the Elite or New Opportunities for Ordinary People?sv
dc.typeTextsv
dc.type.sveparticle, peer reviewed scientificsv
dc.contributor.organizationThe Norwegian School of Information Technology / NITHsv
dc.contributor.organizationDepartment of Media and Communication, University of Oslosv


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