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dc.contributor.authorBolin, Göran
dc.contributor.editorCarlsson, Ulla
dc.date.accessioned2014-11-21T10:22:01Z
dc.date.available2014-11-21T10:22:01Z
dc.date.issued2009-05
dc.identifier.citationNordicom Review 30 (2009) 1, pp. 37-53sv
dc.identifier.isbn978-91-89471-75-7
dc.identifier.issn1403-1108
dc.identifier.urihttp://hdl.handle.net/2077/37470
dc.description.abstractThe article discusses the production of live television formats, as they have developed in Europe during the past decade. The analytical examples are taken from entertainment as well as factual television, and from public service as well as commercial contexts. In the article, it is argued that there has been an approximation between the textual features and generic and narrative structures of entertainment and factual live television, and a model is presented that is supposed to account for these narrative patterns.sv
dc.format.extent18 p.sv
dc.language.isoengsv
dc.publisherNordic Council of Ministers, Nordicomsv
dc.subjecttelevision productionsv
dc.subjectformatssv
dc.subjectgenresv
dc.subjectentertainmentsv
dc.subjectfactual programssv
dc.subjectSwedensv
dc.subjectelection nightssv
dc.subjectEurovision Song Contestsv
dc.titleTelevision Textuality. Textual Forms in Live Television Programmingsv
dc.typeTextsv
dc.type.sveparticle, peer reviewed scientificsv
dc.contributor.organizationSchool of Media, Art and Philosophy, Södertörn University Collegesv


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