dc.contributor.author | Bolin, Göran | |
dc.contributor.editor | Carlsson, Ulla | |
dc.date.accessioned | 2014-11-21T10:22:01Z | |
dc.date.available | 2014-11-21T10:22:01Z | |
dc.date.issued | 2009-05 | |
dc.identifier.citation | Nordicom Review 30 (2009) 1, pp. 37-53 | sv |
dc.identifier.isbn | 978-91-89471-75-7 | |
dc.identifier.issn | 1403-1108 | |
dc.identifier.uri | http://hdl.handle.net/2077/37470 | |
dc.description.abstract | The article discusses the production of live television formats, as they have developed in
Europe during the past decade. The analytical examples are taken from entertainment as
well as factual television, and from public service as well as commercial contexts. In the
article, it is argued that there has been an approximation between the textual features and
generic and narrative structures of entertainment and factual live television, and a model is presented that is supposed to account for these narrative patterns. | sv |
dc.format.extent | 18 p. | sv |
dc.language.iso | eng | sv |
dc.publisher | Nordic Council of Ministers, Nordicom | sv |
dc.subject | television production | sv |
dc.subject | formats | sv |
dc.subject | genre | sv |
dc.subject | entertainment | sv |
dc.subject | factual programs | sv |
dc.subject | Sweden | sv |
dc.subject | election nights | sv |
dc.subject | Eurovision Song Contest | sv |
dc.title | Television Textuality. Textual Forms in Live Television Programming | sv |
dc.type | Text | sv |
dc.type.svep | article, peer reviewed scientific | sv |
dc.contributor.organization | School of Media, Art and Philosophy, Södertörn University College | sv |