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dc.contributor.authorJohansson, Kristin
dc.date.accessioned2015-01-02T10:55:57Z
dc.date.available2015-01-02T10:55:57Z
dc.date.issued2015-01-02
dc.identifier.urihttp://hdl.handle.net/2077/37820
dc.description.abstractThis essay examines two modern retellings of the classic fairy tale of Snow White and the seven dwarfs in the version of the brothers Grimm. By analyzing the differences in the modern version to the more original one my aim is to be able to see how these objects of popular culture are affected by the type of society they are created within. In my two-step analysis I have first used the theory of narratology to find what changes had been made in the two retellings. Here I have the help of several key concepts of the theorists Vladimir Propp, Gérard Genette and David Bordwell. The narrative differences, which turned out to concern the characters mostly, I have then sought to explain in the light of the sociological theories of Zygmunt Bauman regarding liquid modernity and liquid fears.sv
dc.language.isoswesv
dc.subjectfairy talesv
dc.subjectSnow Whitesv
dc.subjectretellingsv
dc.subjectnarratologysv
dc.subjectliquidsv
dc.titleMirror, mirror on the wall… -en kulturanalytisk studie av hur folksagor återberättas i vår tid utifrån exemplet Snövit och de sju dvärgarnasv
dc.typeText
dc.setspec.uppsokHumanitiesTheology
dc.type.uppsokM2
dc.contributor.departmentUniversity of Gothenburg/Department of Cultural Scienceseng
dc.contributor.departmentGöteborgs universitet/Institutionen för kulturvetenskaperswe
dc.type.degreeStudent essay


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