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dc.contributor.authorFloris, Cecilia
dc.date.accessioned2015-09-22T14:38:53Z
dc.date.available2015-09-22T14:38:53Z
dc.date.issued2015-09-22
dc.identifier.urihttp://hdl.handle.net/2077/40625
dc.description.abstractThe aim of this thesis is to examine the ways in which signs in Nicki Minaj's video for Anaconda can connote gender, race and class. By employing semiotic methods as well as theories on respectability this study analyzes the visuals and the lyrics of the music video. Focus lies on how signs operates and interacts to create codes for jungle, working class and sexiness. With the butt as a central sign this study examines how Nicki Minaj is limited by the boundaries of respectability, which is set for her on the basis of being a black woman. Parallels are also drawn to the lyrics and Pictures of Mr Sir Mix-A-Lot's nineties hit Baby got back. The conclusion presented is that Nicki Minaj by the use of signs for primitive sexualy makes an ironic excessive play of the role of "the black woman". In this way she does resistance to White prejudiced stereotypes that these rolee is a portrait of.sv
dc.language.isoswesv
dc.relation.ispartofseriesUppsatssv
dc.subjectrespektabilitetsv
dc.subjectsemiotiksv
dc.subjectrumpasv
dc.subjectironisv
dc.subjectmotståndsv
dc.subjectsexualitetsv
dc.subjectprimitivitetsv
dc.title"Look at her butt!" - Ironi som motståndsstrategisv
dc.typeText
dc.setspec.uppsokHumanitiesTheology
dc.type.uppsokM2
dc.contributor.departmentUniversity of Gothenburg/Department of Cultural Scienceseng
dc.contributor.departmentGöteborgs universitet/Institutionen för kulturvetenskaperswe
dc.type.degreeStudent essay


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