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dc.contributor.authorKnut, Jonatan
dc.date.accessioned2016-01-07T10:43:56Z
dc.date.available2016-01-07T10:43:56Z
dc.date.issued2016-01-07
dc.identifier.urihttp://hdl.handle.net/2077/41431
dc.description.abstractThis thesis investigates the relationship between sampling and illustration. It looks into how the need to conceal one’s source material affects the work process and end result. Through a series of collaborative experiments to portray music by visual sampling the project evaluates the importance of both the act of sampling and the act of concealing the sample. It concludes that both sampling and the concealment of it are in fact essential for the illustrator’s practice and for creativity at large. The thesis also discusses how creativity and sampling can conflict with intellectual property rights. It looks at both problems and solutions within this conflict and proposes a more generous attitude.sv
dc.language.isoengsv
dc.relation.ispartofseriesDM 2015sv
dc.subjectcollaborationsv
dc.subjectillustrationsv
dc.subjectsamplingsv
dc.subjectstealingsv
dc.subjectcollagesv
dc.subjectcopyrightsv
dc.titleThe Joy of Stealing - investigating the creative theftsv
dc.typeTexteng
dc.setspec.uppsokFineArt
dc.type.uppsokH2
dc.contributor.departmentUniversity of Gothenburg/HDK - School of Design and Craftseng
dc.contributor.departmentGöteborgs universitet/HDK - Högskolan för design och konsthantverkswe
dc.type.degreeStudent essayeng


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