The String of Pearls
Summary
The String of Pearls is a photography based art work that addresses questions of labour, capital and power structures. It has been presented both as exhibition and as a collaborative book project.
Supported by
Fotohof
Description of project
The String of Pearls is a photography based artwork that addresses questions of capitalism and power structures. Hamilton visited the fishing village Hambantota in southern Sri Lanka on several occasions to follow the changes that the community was undergoing.
As China re-emerges as a superpower and Western hegemony wanes, the Indian Ocean has become a geopolitical nexus. In the centre of this new map lies Hambantota. The Hambantota region has undergone rapid changes as a result of large investments made in the area by China. The most noticeable manifestation of the influx of capital, is the newly constructed port expected by some to become the largest port in South Asia. American and Indian military ¬strategists refer to the port as part of the »String of Pearls«: a plot of vital infra-structure developments, scattered along the rim of the Indian Ocean. Other constructions in the area, also financed with Chinese capital, include an international airport, an expressway and a cricket ¬stadium.
The president of Sri Lanka until 2015, Mahinda Rajapaksa, was a key player in realising these modernisation developments. While overseeing infrastructure projects, the authoritarian president was accused both of nepotism and war crimes. The West no longer represents the only model of development, and there are now alternative versions of modernity that compete with each other. Hambantota can be understood as a microcosm that contains this contested modernity.
The above account describes the contextual framework for the artwork The String of Pearls. The same framework also provided the context for the book The Hambantota Connection: Constructing Landscapes, Contesting Modernity, which was made in collaboration with sociologist Karl Palmås and cultural geographer Jonas Lindberg. Drawing upon documentary photography, development ¬geography and economic anthropology, the authors trace connections ¬between local phenomena and global patterns. The Hambantota ¬Connection: Constructing Landscapes, Contesting Modernity presents a visual sociology of logistics and livelihoods, of ¬authoritarian leadership and anthropocenic landscapes, and of ¬economic ¬fictions and planetary fluxes. It explores what a place can say about the world, and how the world can be grasped through abstraction and ¬speculation. Published at Glänta förlag.
Description of work included
During the autumn 2015, The String of Pearls (with The Hambantota Connection) was exhibited at two different venues:
2015-08-28 - 2015-09-20 as part of the Biel/Bienne Festival of Photography in Switzerland. The theme of the festival was ‘Adoptation’ and the festival selected works relating to issues such as the future of our contemporary societies and recent political changes. The selection of artists aimed to reveal trends in emerging Swiss and international photography.
2015-09-25 - 2015-11-07 the work was exhibited at Fotohof in an exhibition bringing together three young Swedish fine art photographers.
Type of work
Artistic work
Published in
Biel/Bienne Festival of Photography, Switzerland and Fotohof, Salzburg, Austria
Link to web site
http://www.bielerfototage.ch/en/exhibitions.178/kerstin-hamilton.699.html
http://www.fotohof.at/content.php?id=24&ausstellung=366&details=1
For more information about the related book The Hambantota Connection: Constructing Landscapes, Contesting Modernity see http://glanta.org/?page_id=25&view=75
Date
2015Creator
Hamilton, Kerstin
Keywords
Labour
capital
anthropocene
power structures
Hambantota
String of Pearls
China
infrastructure developments
photography
visual sociology
Publication type
artistic work
Language
eng