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The Soundtrack of Politics. A Case Study of Anashid in Hamas and Hezbollah

Abstract
Music is commonly used as a tool in political organizations in general. Due to religious norms and interpretations, Islamist organizations use anashid as the main musical genre for political aims. By exploring how anashid is used in Hamas and Hizbullah, two major political players in the Middle East, this thesis adds to the sparse academic analysis about the role of anashid and its relation to Islamist organizations. By merging the academic fields of politics, music, and Islam, the study makes sense of anashid theoretically in organizations. Of central importance is how music is used intentionally and collectively with the aim of influencing peoples´ behavior and mindset, as well as how the interpretation of music goes beyond primary intentions. The thesis is based on long term field work inside Hamas and Hizbullah. Trough observations and interviews with supporters and leaders, the thesis inquiries the political function of anashid in different settings of the two organizations and how informants give meaning to anashid. On the basis of these data, the thesis shows that anashid is the main soundtrack of politics in Hamas and Hizbullah. It implies that anashid serves the function of delivering the political messages of the organizations while simultaneously aiming for maintaining religious values. Hence, anashid embraces the unique function of serving as a core messenger of the organizations´ ideology and goals. Moreover, the thesis reveals that integrating the political and religious through anashid creates an overlap of its usage in the organizational and the private domains of Hamas and Hizbullah. Hence, through anashid, the distinction between the private and the public becomes blurred. The thesis concludes that anashid functions in a politically powerful way in Hamas and Hizbullah, mainly collectively. Anashid possess influence on peoples´ emotions in order to frame identities in a collective manner through the political activities it initiates.
Parts of work
I. Berg, C. (2012). Tunes of religious Resistance? Understanding Hamas Music in a Conflict Context. Contemporary Islam, 6(3), 297-314. ::doi::10.1007/s11562-012-0219-6
Degree
Doctor of Philosophy
University
Göteborgs universitet. Samhällsvetenskapliga fakulteten
University of Gothenburg. Faculty of Social Sciences
Institution
School of Global Studies, Peace and Development Research ; Institutionen för globala studier, freds- och utvecklingsforskning
Disputation
Fredagen den 9 juni 2017, kl. 13.15, Annedalsseminariet, Sal 326, Seminariegatan 1A.
Date of defence
2017-06-09
E-mail
carin.berg@globalstudies.gu.se
URI
http://hdl.handle.net/2077/52195
Collections
  • Doctoral Theses / Doktorsavhandlingar Institutionen för globala studier
  • Doctoral Theses from University of Gothenburg / Doktorsavhandlingar från Göteborgs universitet
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Thesis frame (1.751Mb)
Abstract (159.4Kb)
Date
2017-05-16
Author
Berg, Carin
Keywords
Hamas
Hizbullah
anashid
music
politics
Islam
organizations
political
Publication type
Doctoral thesis
ISBN
978-91-629-0170-7
Language
eng
Metadata
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