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dc.date.accessioned2017-11-30T10:14:58Z
dc.date.available2017-11-30T10:14:58Z
dc.date.issued2017-06
dc.identifier.urihttp://hdl.handle.net/2077/54544
dc.language.isoengsv
dc.subjectSuite for Mallet Duosv
dc.subjectpercussionsv
dc.subjectmarimbasv
dc.subjectglockenspielsv
dc.subjectcrotalessv
dc.subjectDaniel Bergsv
dc.subjectAnders Åstrandsv
dc.subjectNadia Boulangersv
dc.subjectKarlheinz Stockhausensv
dc.subjectIgor Stravinskijsv
dc.subjectSteve Reichsv
dc.subjectJan Tolfsv
dc.subjectchamber musicsv
dc.subjectclassical musicsv
dc.titleSuite for Mallet Duosv
dc.type.svepartistic work
dc.contributor.creatorBerg, Daniel
art.typeOfWorkMusiktrycksv
art.relation.publishedInEdition Svitzer, Copenhagensv
art.relation.publishedInhttp://lunda.ub.gu.se:8080/lib/item?id=chamo:2480068&theme=gundasv
art.description.workIncludedReflections on the Suite for Mallet Duo (Pdf)sv
art.description.workIncludedJanuary (mp3)sv
art.description.projectSe bifogad PDFsv
art.description.summaryAnders Åstrand, a virtuoso vibraphone player, called me and said: - Let’s make a new recording! - What pieces should we record? - Our own, of course! - But, at the moment I don’t have time to write material for a whole new CD. - Think like this - write a short piece every month, around three minutes, and find inspiration from the month there are. - Aha… - Sure you have time to write a three-minute piece a month? - Yes, you’re right… - In six month we will have twelve new songs if we write one each a month! The artistic challenge was: 1. What sounds, rhythms, harmonies and instruments are specific for a certain season and/or month? 2. As a composer, how can I write six mallet duos in a way that each piece sounds different from another?sv
art.relation.urihttp://www.editionsvitzer.com/catalog/53lrrv3r4z/c-23/p-1479sv


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