| dc.date.accessioned | 2017-12-11T13:57:11Z | |
| dc.date.available | 2017-12-11T13:57:11Z | |
| dc.date.issued | 2017 | |
| dc.identifier.uri | http://hdl.handle.net/2077/54649 | |
| dc.language.iso | eng | sv |
| dc.subject | Form follows fiction | sv |
| dc.subject | entomology | sv |
| dc.subject | baroque | sv |
| dc.subject | Prague | sv |
| dc.subject | narrative design | sv |
| dc.subject | furniture | sv |
| dc.title | The Face of God, curating | sv |
| dc.type.svep | artistic work | |
| dc.contributor.creator | Friberg, Johnny | |
| art.typeOfWork | Utställning, production + curating | sv |
| art.relation.publishedIn | Vernissage 14 oktober 2017 – finissage 28 januari 2018, Konsthallen Vandalorum, Värnamo | sv |
| art.description.workIncluded | Curating and project leading “form follows fiction´s” two outcomes, the exhibition and the book “The face of God”. Two ingredients of one artistic work. | sv |
| art.description.project | Se bifogad pdf | sv |
| art.description.summary | The Face of God, a partially lost text about the search for order in chaos, forms the basis for an exhibition at the art museum Vandalorum. The exhibition highlights the Czech entomologist and artist Milka Havel's life and works through reconstructions. The fictive artist is made alive by texts and artifacts. | sv |
| art.description.supportedBy | HDK, Vandalorum, Göteborgs Slöjdförening | sv |
