dc.date.accessioned | 2017-12-21T06:34:56Z | |
dc.date.available | 2017-12-21T06:34:56Z | |
dc.date.issued | 2017 | |
dc.identifier.uri | http://hdl.handle.net/2077/54768 | |
dc.language.iso | eng | sv |
dc.subject | textiles | sv |
dc.subject | labour | sv |
dc.subject | digital to analogue | sv |
dc.subject | storytelling | sv |
dc.title | Grounded Theory/Crying with soft eyes | sv |
dc.type.svep | artistic work | |
dc.contributor.creator | Röndahl, Emelie | |
art.typeOfWork | Solo exhibition | sv |
art.relation.publishedIn | November 2017 – January 2018 | sv |
art.relation.publishedIn | K A Almgrens Silkmusem, Stockholm, Sweden | sv |
art.description.workIncluded | 6 hand woven tapestries: | sv |
art.description.workIncluded | Child Picking Cotton in Uzbekistan (2017) | sv |
art.description.workIncluded | An unfinished piece titled Display (2016) | sv |
art.description.workIncluded | Rana Plaza – The Collapse (April 24th 2013) (2015-2016) | sv |
art.description.workIncluded | At the Shore of Amygdala (triptych) (2015) | sv |
art.description.project | See attached | sv |
art.description.summary | Ground Theory/Crying with soft eyes displays a body of hand woven, low resolution pictures in fluffy overgrown pixels that raise difficult questions about textile production and child labour. A catalogue was produced by Ingela Almgren at KA Almgrens Silkmuseum with a written introduction by tapestry weaver and former honorary Professor Annika Ekdahl. | sv |
art.description.supportedBy | K A Almgrens Silkmuseum | sv |