Iransk black metal och censur: en fallstudie

dc.contributor.author	Fännfors, Sandy
dc.date.accessioned	2018-01-30T08:22:58Z
dc.date.available	2018-01-30T08:22:58Z
dc.date.issued	2018-01-30
dc.identifier.uri	http://hdl.handle.net/2077/55144
dc.description.abstract	This essay focuses on black metal and musical censorship in Iran. This is done through a case study with Sina Winter who lived most of his life in Iran, creating black metal music in the obscurity with his one-man band From the Vastland. The essay is based on a musical- ethnological perspective and analyzes the cultural differences of black metal in Norway respectively Iran. The essay determines what music censorship is, how it is conducted and how the practice of it looks like in Iran. The interview with Sina Winter gives a slight insight into a daily life of fear and oppression, but also the courage to keep creating music in a country where it is forbidden and occasionally punished by death.	sv
dc.relation.ispartofseries	Kandidatuppsats	sv
dc.subject	Black metal	sv
dc.subject	music and censorship	sv
dc.subject	case-study	sv
dc.subject	musicology	sv
dc.subject	music	sv
dc.title	Iransk black metal och censur: en fallstudie	sv
dc.type	Text
dc.setspec.uppsok	HumanitiesTheology
dc.type.uppsok	M2
dc.contributor.department	University of Gothenburg/Department of Cultural Sciences	eng
dc.contributor.department	Göteborgs universitet/Institutionen för kulturvetenskaper	swe
dc.type.degree	Student essay