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dc.contributor.authorLunde, Kajsa
dc.date.accessioned2018-03-28T09:37:51Z
dc.date.available2018-03-28T09:37:51Z
dc.date.issued2018-03-28
dc.identifier.urihttp://hdl.handle.net/2077/56115
dc.description.abstractDoes depression have a language? Is there such a thing as an explicit depressive narrative? This thesis serves to answer these questions with a study of the portrayal of depression in the novels Stjärnvattenfallet by Karin Bellman and The Bell Jar by Sylvia Plath. With a methodological background in Freudian theory the study investigates the versatility of the melancholy process as an analytical method in comparative literature. The object of the analysis is to establish whether or not depression has a certain literary language and if it’s possible to make it out in the chosen novels. A comparison of the novels serves to enhance the most distinctive traits of the depressive narrative. The study entails analyses of different levels of literary melancholic identifications. These are processes that can be found in thematic and narrative structures both and which contribute to the melancholic representation as a whole.sv
dc.language.isoswesv
dc.subjectmelancholiasv
dc.subjectdepressionsv
dc.subjectmelancholicsv
dc.subjectliteraturesv
dc.subjectmelancholic identificationssv
dc.subjectFreudsv
dc.titleDepressionens diktning. En studie av melankoliska processer i Karin Bellmans 'Stjärnvattenfallet' och Sylvia Plaths 'The Bell Jar'sv
dc.title.alternativeThe Poetics of Depression. A study of melancholic processes in Karin Bellman’s 'Stjärnvattenfallet' and Sylvia Plath’s 'The Bell Jar'sv
dc.typeText
dc.setspec.uppsokHumanitiesTheology
dc.type.uppsokM2
dc.contributor.departmentGöteborgs universitet/Institutionen för litteratur, idéhistoria och religionswe
dc.contributor.departmentUniversity of Gothenburg/Department of Literature, History of Ideas, and Religioneng
dc.type.degreeStudent essay


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