Transmitting a listening
dc.date.accessioned | 2018-11-23T12:21:24Z | |
dc.date.available | 2018-11-23T12:21:24Z | |
dc.date.issued | 2018-01-24 | |
dc.identifier.uri | http://hdl.handle.net/2077/58207 | |
dc.language.iso | eng | sv |
dc.subject | Audiopaper | sv |
dc.subject | piano | sv |
dc.subject | improvisation | sv |
dc.subject | performance | sv |
dc.subject | listening | sv |
dc.subject | spatialisation | sv |
dc.title | Transmitting a listening | sv |
dc.type.svep | artistic work | |
dc.contributor.creator | Mayas, Magda | |
art.typeOfWork | Audiopaper | sv |
art.relation.publishedIn | Aveiro Portugal | sv |
art.description.project | See pdf | sv |
art.description.summary | The Audio Paper is presented as a 4 channel piece, where I am layering the recording of my own voice, talking about my research (partly from the article “Transmitting a listening”), with voices of other artists, including John Cage, David Bowie and Pauline Oliveros, pre - recorded sound material and a life piano performance. The paper is an introduction to my research and focuses on the project Memory piece, which is also part of the pre-recorded sound material. This allows the listener to be intimately part of the actual performing and working process while it is in progress. | sv |
art.description.supportedBy | HSM | sv |
art.relation.uri | http://artisticresearch.web.ua.pt/index.php/en/research-hands-on-piano-2/ | sv |
art.relation.uri | https://www.researchcatalogue.net/view/382024/493803 | sv |