Singing at the Clavichord: Interpretative aspects of repertoire from Brødremenigheden in Christiansfeld
Summary
A report on performance experiments for voice and clavichord using 18th c. songbooks from the Moravian Church in Christiansfeld, DK. The key concept of the “emotive” was found effective in order to embody the expressive Moravian music tradition.
Supported by
Vetenskapsråds projekt ”Creative Keyboards” and a research grant from HSM.
Description of project
See attached pdfs (GUPEA Ekström Speerstra 2018, and Conference Program) and three mp3 files (Music
examples 1–3).
Description of work included
The report consists of a pdf and three recorded music examples.
Type of work
Artistic research presentation
Published in
The 6th Bethlehem, Conference on Moravian History and Music, (Bethlehem, PA, USA).
Link to web site
http://www.moravianconferences.org/
Other description
Artistic research conference presentation in the form of a lecture-‐recital.
Date
2018-10-11Creator
Ekström, Christina
Speerstra, Joel
Keywords
Voice
clavichord
Moravian music
Christiansfeld
emotives
Türk
expressivity
Publication type
artistic work
Language
eng