| dc.date.accessioned | 2018-12-11T14:22:20Z | |
| dc.date.available | 2018-12-11T14:22:20Z | |
| dc.date.issued | 2018-01-12 | |
| dc.identifier.uri | http://hdl.handle.net/2077/58362 | |
| dc.language.iso | eng | sv |
| dc.subject | Fysisk teater | sv |
| dc.subject | skådespelarträning | sv |
| dc.subject | komplex dramaturgi | sv |
| dc.subject | meningsskapande | sv |
| dc.subject | Physical theatre | sv |
| dc.subject | performer training | sv |
| dc.subject | complex dramaturgy | sv |
| dc.subject | meaning-making | sv |
| dc.title | The Concrete Diversity of Being | sv |
| dc.type.svep | artistic work | |
| dc.contributor.creator | Lagerström, Cecilia | |
| art.typeOfWork | Work demonstration / Performance Lecture | sv |
| art.relation.publishedIn | International Platform of Performer Training (IPPT), KASK / School of Arts Ghent | sv |
| art.description.workIncluded | En arbetsdemonstration / performance lecture
i samarbete med Michael Norlind.
A work demonstration / performance lecture
in collaboration with Michael Norlind. | sv |
| art.description.project | Se separat pdf. | sv |
| art.description.summary | We put the dialogue between the director and the performer on stage and unfold the working process, with a focus on the process of meaning-making. How can we create complex images on stage and take into account the the diversity and ambiguity of existence? A previous performance project is being deconstructed and reconstructed in front of the audience. | sv |
| art.description.supportedBy | HSM, Scenkonst Gerlesborg (residens), Coff (residens) | sv |
| art.relation.uri | https://performertrainingplatform.wordpress.com/ghent-2918/ | sv |
| art.relation.uri | http://theatredanceperformancetraining.org/2018/03/reflections-on-the-ippt-ghent-2018/ | sv |
