| dc.date.accessioned | 2018-12-27T07:58:27Z | |
| dc.date.available | 2018-12-27T07:58:27Z | |
| dc.date.issued | 2018-09-08 | |
| dc.identifier.uri | http://hdl.handle.net/2077/58548 | |
| dc.description | Translucent screens, synchronized, video
projection, appropriation. | sv |
| dc.language.iso | eng | sv |
| dc.subject | La Cachucha, Fanny Elssler, Labanotation, dance, ballet, Ann Hutchinson Guest, Margaret Barbieri, Royal Ballet, film, Balinese dance, Tintin Wulia, Dos Cachuchas, language, translation, video, new media, migration, history, archive. | sv |
| dc.title | Dos Cachuchas | sv |
| dc.type.svep | artistic work | |
| dc.contributor.creator | Wulia, Tintin | |
| art.typeOfWork | 2-channel synchronised dance video installation | sv |
| art.relation.publishedIn | 8 September - 11 November 2018 Exhibition Language is the only homeland at Nest, Den Haag, the Netherlands | sv |
| art.description.workIncluded | Video projection, projectors, a pair of translucent
screens, video files of 14’58” duration, colour,
stereo. | sv |
| art.description.project | Please see attached PDF. | sv |
| art.description.summary | In Dos Cachuchas, dance is seen as a language,
with its political implication on identity and
belonging. If dance is a language, how does
translation of a dance between bodies compare
with migration? | sv |
| art.description.supportedBy | HDK/Academy of Design and Crafts, School of
Global Studies, Centre on Global Migration.
HSM/Academy of Music and Drama.
Nest Den Haag with grants from VSBfonds, Prins
Bernhard Cultuurfonds, Stroom Den Haag,
Mondriaan Fonds, The Hague City Council. | sv |
| art.relation.uri | http://nestruimte.nl/en/projects/language-is-the-only-homeland | sv |
