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dc.date.accessioned2019-01-24T14:03:36Z
dc.date.available2019-01-24T14:03:36Z
dc.date.issued2018-01-12
dc.identifier.urihttp://hdl.handle.net/2077/58730
dc.language.isoengsv
dc.subjectArt and Activismsv
dc.subjectArtistic Researchsv
dc.subjectStop Motion Videosv
dc.subjectPerformance Artsv
dc.subjectPerformativitysv
dc.subjectPlaysv
dc.subjectPoliticalsv
dc.subjectProtestsv
dc.subjectActivismsv
dc.subjectWashingtonsv
dc.subjectWhite Housesv
dc.subjectWomens March on Washingtonsv
dc.titleOne Movementsv
dc.type.svepartistic work
dc.contributor.creatorCoble, Mary
art.typeOfWorkSingle channel video commissioned for Acting in Numbers Solo Exhibitionsv
art.relation.publishedInGalleri Image, Aarhus DKsv
art.description.projectOne Movement is a stop motion video is created from a series of photographs of the fence that surrounds the White House in Washington, DC taken two days after the Women's March on Washington (2017). The empty lawn and now stripped bare fence can be seen as a reference to the Trump administration’s efforts to continuously erase and downplay the public protests again him. Whereas the immense number of protesters and signs are no longer there, they have left traces and imprints around and on the fence, which gave in to the pressure of people gathering and the weight of the posters. Thus, the effects of the people coming together across gender, race, age, religious belief and sexual orientation, are leaving the promising marks of one, intersectional movement. This work was commissioned for the exhitbion Acting in Numbers at Galleri Image, Aarhus, DK. Uniting photography and performance, the works in Coble’s solo exhibition focus on iconic symbols, bodily gestures, chants, and signals used in political protest and as forms of resistance. Photography and performance can offer distinct temporalities that are urgent for capturing, sharing and activating often ephemeral signs of defiance.sv
art.description.summaryOne movement is a single channel stop motion video is based on traces of the marches and protests against Donald Trump’s inauguration and the historic Women's March on Washington DC , days after each other in January 2017. Both reflect Coble’s meticulous, on foot, documentation of the fences surrounding the White House.sv
art.description.supportedByGalleri Image, Aarhus DK Danish Arts Foundation City of Aarhus BUPL Solidaritets- og Kulturfond.sv
art.relation.urihttp://www.marycoble.com/video-/one-movement-2018-single-channel-videosv
art.relation.uriwww.galleriimage.dk/index.php/en/component/rseventspro/event/222sv
art.relation.urihttps://kunsten.nu/journal/queer-kunstners-call-to-arms/sv
art.relation.urihttps://finespind.dk/index.php/artikler-og-billedserier/815-queer-feminisme-og-social-retfaerdighed-kunstner-mary-coble-i-galleri-image-interviewsv


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