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dc.contributor.authorArvidsson, Pauliina
dc.date.accessioned2019-09-06T07:13:05Z
dc.date.available2019-09-06T07:13:05Z
dc.date.issued2019-09-06
dc.identifier.urihttp://hdl.handle.net/2077/61746
dc.description.abstractTo examine the semiotic resources that constitute the multimodal corporate identity of Kungsbacka Theater, specifically as expressed as signs in three examples: the front page and the first spread of the theater program for spring 2019 as well as the homepage of the theater’s website. The study finds that, in the examples analyzed, the signs are primarily expressed through the modes of shape, color, typography, writing and moving image. Aspects of materiality and digital interactivity are also touched upon. The main findings are threefold. Firstly, the signs tend to express a balance between two poles of meaning, such as static and dynamic, traditional and modern, stable and challenging, playful and serious. Secondly, the signs often appear to metaphorically invite the viewer into the world of the Theater. Thirdly, in relation to each other the signs tend to be connected rather than isolated. All of these findings are consistent with what the Theater would like to express through its corporate identity.sv
dc.language.isoswesv
dc.subjectSocial semioticssv
dc.subjectmultimodalitysv
dc.subjectbrandsv
dc.subjectcorporate identitysv
dc.subjectpublic sectorsv
dc.titleATT SE VÄRLDEN I ETT DANSANDE K En multimodal socialsemiotisk analys av Kungsbacka Teaters profilsv
dc.typeText
dc.setspec.uppsokHumanitiesTheology
dc.type.svepH2
dc.contributor.departmentGöteborgs universitet/Institutionen för filosofi, lingvistik och vetenskapsteoriswe
dc.contributor.departmentGöteborg University/Department of Philosophy, Linguistics and Theory of Scienceeng
dc.type.degreeStudent essay


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