dc.date.accessioned | 2019-11-27T06:49:26Z | |
dc.date.available | 2019-11-27T06:49:26Z | |
dc.date.issued | 2019-10-26 | |
dc.identifier.uri | http://hdl.handle.net/2077/62621 | |
dc.language.iso | eng | sv |
dc.subject | Haydn Creation | sv |
dc.subject | Flute playing | sv |
dc.subject | Cambini | sv |
dc.subject | visual image | sv |
dc.title | Flutist in J. Haydn’s Creation | sv |
dc.type.svep | artistic work | |
dc.contributor.creator | Bania, Maria | |
art.typeOfWork | Concert | sv |
art.relation.publishedIn | S:t Andreaskyrkan, Malmö | sv |
art.description.project | See attached PDF | sv |
art.description.summary | Playing the first flute part in J. Haydn’s oratorium Creation on a period keyed flute is a lovely but demanding task. In search for how to play the first scene of the third part, I turned to the advice given by G. Cambini’s in his violin method from between 1795 and 1803. | sv |
art.description.supportedBy | Svenska Kyrkan, S:t Andreas kyrka, Malmö | sv |