dc.date.accessioned | 2020-03-03T09:16:14Z | |
dc.date.available | 2020-03-03T09:16:14Z | |
dc.date.issued | 2019 | |
dc.identifier.uri | http://hdl.handle.net/2077/63664 | |
dc.language.iso | eng | sv |
dc.subject | mirror | sv |
dc.subject | Papilio ulysses | sv |
dc.subject | geodesic polyhedron fragment | sv |
dc.subject | memory | sv |
dc.subject | butterfly | sv |
dc.subject | metamorphosis | sv |
dc.subject | inherited trauma | sv |
dc.subject | intergenerational storytelling | sv |
dc.title | Some Memory Prevails | sv |
dc.type.svep | artistic work | |
dc.contributor.creator | Wulia, Tintin | |
art.typeOfWork | Sculpture | sv |
art.relation.publishedIn | Tintin Wulia: Memory is Frail (and Truth Brittle), Milani Gallery, Brisbane, Australia, 29 November – 21 December 2019 | sv |
art.description.project | Please see attached PDF. | sv |
art.description.summary | Some Memory Prevails is a material contemplation of the fragmented reality of inherited memory that are transferred intergenerationally between migrated and marginalised bodies. The work began as a reflection on Blackiston, Silva & Weiss’s 2008 experiment on memory retention across pupal-to-adulthood metamorphosis in Lepidoptera. | sv |
art.description.supportedBy | The work is produced during my Postdoctoral Fellowship in design, craft and society with a focus on migration, Centre on Global Migration, University of Gothenburg. | sv |
art.relation.uri | http://www.milanigallery.com.au/artwork/some-memory-prevails-0 | sv |