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dc.date.accessioned2020-03-04T11:15:33Z
dc.date.available2020-03-04T11:15:33Z
dc.date.issued2019-11-09
dc.identifier.urihttp://hdl.handle.net/2077/63719
dc.language.isoengsv
dc.subjectboundary eventsv
dc.subjectarts-based researchsv
dc.subjectcompostsv
dc.subjectartsv
dc.subjectart educationsv
dc.title“Vague Borders and Infinite Sensibilities of Land, Body, and Water”sv
dc.type.svepartistic work
dc.contributor.creatorG Eriksson, Kajsa
dc.contributor.creatorFoley, Caitlin
dc.contributor.creatorRabinovich, Misha
dc.contributor.creatorBarney, Daniel
dc.contributor.creatorWeeks, Maya
dc.contributor.creatorPadberg, Carol
dc.contributor.creatorWhitaker, Hannah
dc.contributor.creatorSeaman, Brian
art.typeOfWorkCurated Performance Panel-sessionsv
art.relation.publishedIn"Imaginative Futures: Arts-based research as boundary event" A 2-day Symposium at the School of Art, Arizona State University. See invitation letter (pdf)sv
art.description.projectse pdf ”VagueBordersandInfiniteSensibilites”sv
art.description.summaryThis arts-based panel session takes the form of compost, a compost of embodied experiences, material experiments, and performance, all of which become a palimpsest of boundary events.sv
art.description.supportedByArizona State University, School of Art Department of Art Education Institute for Humanities Research Center for Philosophical Technologies Gallery at the Tempe Center for the Artssv
art.relation.urihttps://sites.google.com/view/imaginativefuturesasu/home?fbclid=IwAR2lrfIK5Nl-wCUXMPmM4_pP6XGAn9zWl9IsnUSZ9oRXVxxoqN5mo0JRDOUsv


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