dc.contributor.author | Asklöf Prescott, Moa Julia | |
dc.date.accessioned | 2020-06-02T12:27:51Z | |
dc.date.available | 2020-06-02T12:27:51Z | |
dc.date.issued | 2020-06-02 | |
dc.identifier.uri | http://hdl.handle.net/2077/64593 | |
dc.description.abstract | This is a reflection and exploration of creation as a contemporary circus artist today, from the
point of view of the same (I am a rope walker). To give myself a compass during the research
I have worked with a few questions:
What is the function of the trick?
How do I and other artist relate to our creating selves and bodies? And how can we use
knowledge from other fields such as marketing- and social psychology or service side jobs, to
look at our creation from another angle?
These questions are explored through looking into marketing- and social psychology, the
words of other creators, doing interviews and looking at the way I interact with the practice
myself. What my itch is. How working with the body can change the organism. | sv |
dc.language.iso | eng | sv |
dc.subject | Contemporary circus | sv |
dc.subject | social psychology | sv |
dc.subject | physical theatre | sv |
dc.subject | slack rope | sv |
dc.subject | street shows | sv |
dc.subject | stage art | sv |
dc.subject | audience interaction | sv |
dc.subject | performance | sv |
dc.title | About tricks, sensations and relationships- A collection of thoughts on performing, exhibiting skill and creating in contemporary circus. | sv |
dc.type | Text | |
dc.setspec.uppsok | FineArt | |
dc.type.uppsok | H2 | |
dc.contributor.department | University of Gothenburg/Academy of Music and Drama | eng |
dc.contributor.department | Göteborgs universitet/Högskolan för scen och musik | swe |
dc.type.degree | Student essay | |