dc.contributor.author | Fjellander, Karin | |
dc.date.accessioned | 2021-03-31T12:16:07Z | |
dc.date.available | 2021-03-31T12:16:07Z | |
dc.date.issued | 2021-03-31 | |
dc.identifier.uri | http://hdl.handle.net/2077/68174 | |
dc.description.abstract | This thesis aims to examine performative aspects within Fach/voice types using interviews with three sopranos as source material. My goal is to understand how these aspects affect the work in an opera chorus. I have focused on each voice part’s role in the chorus to reflect on how opera traditions and the opera industry contribute to inequality in the opera chorus. I conclude that the Fach/voice part affects the sopranos in the chorus in multiple ways. Opera traditions and the opera industry contribute to inequality for the sopranos in the opera chorus in a range of ways, for example fewer opportunities for performing small roles in opera productions
compared with tenors and basses. | sv |
dc.language.iso | swe | sv |
dc.subject | Opera | sv |
dc.subject | Opera chorus | sv |
dc.subject | Soprno | sv |
dc.subject | Fach | sv |
dc.subject | Performativity | sv |
dc.subject | Workplace | sv |
dc.subject | Equality | sv |
dc.title | Det finns så mycket gammalt mög - en intervjustudie av sopraners arbetsverklighet i operakören | sv |
dc.type | Text | |
dc.setspec.uppsok | HumanitiesTheology | |
dc.type.uppsok | M2 | |
dc.contributor.department | University of Gothenburg/Department of Cultural Sciences | eng |
dc.contributor.department | Göteborgs universitet/Institutionen för kulturvetenskaper | swe |
dc.type.degree | Student essay | |