dc.contributor.author | Tyft, Alf-Tore | |
dc.date.accessioned | 2021-08-20T10:46:42Z | |
dc.date.available | 2021-08-20T10:46:42Z | |
dc.date.issued | 2021-08-20 | |
dc.identifier.uri | http://hdl.handle.net/2077/69403 | |
dc.description.abstract | This study uses the concept of subcultural capital and community boundaries to explore
which features of black metal from the past that are in peril in the late modern mainstream
appropriation of the genre. Through in-depth interviews, this study reveals emotional and
cognitive incentives for the gatekeeping practice performed by self-identified black metal fans
to resist mainstream appropriation. The mainstream is divided into a strictly musical dimension
and an ideological dimension. Fans express concerns about the music developing a less
compelling sound and that their live experiences will be affected negatively due to insincere
participation. The mainstream ideology, for instance commercial interests and wokeism, will
interfere with the genre’s transgressive qualities. Black metal gives fans a sense of reality in a
society they perceive as dishonest, acknowledges feelings of resentment and alienation, helping
them to process their own negative emotions. | sv |
dc.language.iso | eng | sv |
dc.subject | black metal | sv |
dc.subject | nostalgia | sv |
dc.subject | community boundaries | sv |
dc.subject | subcultural capital | sv |
dc.subject | authenticity | sv |
dc.title | If you don’t like the old Darkthrone records… Fuck off!” - Nostalgia and subcultural capital as gatekeeping incentives in the black metal community | sv |
dc.type | Text | |
dc.setspec.uppsok | SovialBehaviourLaw | |
dc.type.uppsok | M2 | |
dc.contributor.department | University of Gothenburg / Department of Sociology and Work Science | eng |
dc.contributor.department | Göteborgs universitet / Institutionen för sociologi och arbetsvetenskap | swe |
dc.type.degree | Student essay | |