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dc.contributor.authorRecker, Luisa
dc.date.accessioned2021-08-24T09:56:48Z
dc.date.available2021-08-24T09:56:48Z
dc.date.issued2021-08-24
dc.identifier.urihttp://hdl.handle.net/2077/69435
dc.descriptionThe following text is the theory part of my practical Master‘s thesis “Wild Things – A Collection of Handwoven Couture”. This thesis examines the potential of hand-weaving for contemporary fashion design. I aim to create “wild” (=valuable and mean¬ingful) clothing that connects the wearer to the environment and vibrant, natural surrounding. In the text I start with a background of my work and position it within the field of fashion design and previous personal work experiences (pages 3 – 10): Here I show the different contents involved in fashion design – the pictorial surface, the form and the material level – and how clothing can be perceived and sensed. The purpose, the goal and the starting questions of the work are formulated, fol¬lowed by an explanation of the practical approach on pages 13 – 14. How can I visualize the fabrication of clothes and make it tangible in the garment? How can the connection to the surrounding and environment become tangible in handwoven clothes? Pages 15 – 20 describe the work process step by step. Starting with the development of my way of working with paper models and weaving explorations I show how my process becomes more free, more interactive in body and shape and virtuoso in the weaving. Decisions, considerations and reflections are displayed. Through utilizing the properties of the loom and different materials my work results in seven clothes – original in form, material and textile structure. This Master‘s pro¬ject was exhibited during May/ June 2021 in the Greenhouse of Trädgardsförenin¬gen Gothenburg. The exhibition set up is shown and explained in the text. In the last part of this thesis, the work will be discussed and reflected (pages 25– 30), ending with a conclusion of the result on page 31. In this part of the text, the activist and political statement of this work is connected to its aesthetics and formal proposi¬tions. The look and touch of the “wild”, deriving from an individual way of making and manufactured production, wants to seduce you to reconsider your values: This work makes materiality and time tangible. It shows how the human energy and abil¬ity for skillful, careful and attentive making with the hands can lead to rich expres¬sions and valuable pieces of clothing.2sv
dc.description.abstractIn this work, a hand-woven fashion collection is designed. The aim is to create clothes that connect us with life and nature and make us feel that we are part of a vibrant surrounding. Following the idea of clothes as a social mean to connect to one’s environment, this work examines several concepts and techniques that already incorporate certain aspects of connectedness and directness. A particular interest lies in how the form of clothes can relate to the way they are made and the tools that are used – with focus on the weaving technique. Historical and cultural sources, as well as contemporary design research are consulted, that show how the form and material of clothing are developed simultaneously instead of separately. Throughout the process of this work, I want to practically explore the following questions: How can the process of making become tangible in the outcome? How can the way of making become a tool for artistic expression? This work aims to find practical answers to these questions in form of woven clothes. Weaving techniques are applied to the design of the garments. Tapestry techniques are used in order to create vertical slits/ openings for body parts. Garment forms are developed by experimenting with rectangular shaping/ block pattern making. The result is a collection of seven unique wearable pieces. They are one-of-a-kind luxury clothes, couture so to speak, made using different materials and woven structures on different types of looms. Last but not least the row of garments represent and show my learning process and adaption to a new way of working, a different way of designing and making clothes.sv
dc.language.isoengsv
dc.relation.ispartofseries2021:01sv
dc.subjectComposite Garment Weavingsv
dc.subjectWeaving, Pattern Makingsv
dc.subjectTapestry, Makingsv
dc.subjectClothessv
dc.subjectFashionsv
dc.subjectHaute Couturesv
dc.subjectDesign, Loomsv
dc.subjectTextile, Craftsv
dc.subjectBlock Patternsv
dc.subjectGeometrysv
dc.subjectFully Fashionedsv
dc.subjectZero Wastesv
dc.subjectSlow Fashionsv
dc.subjectSustainabilitysv
dc.subjectSensualitysv
dc.titleWild Things: A Collection of Handwoven Couturesv
dc.typeText
dc.setspec.uppsokFineArt
dc.type.uppsokH2
dc.contributor.departmentUniversity of Gothenburg/Steneby - School of Craft and Designeng
dc.contributor.departmentGöteborgs universitet/Steneby - Institutionen för Konsthantverk och Designswe
dc.type.degreeStudent essay


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