dc.contributor.author | Hedberg, Anton | |
dc.contributor.author | Wreeby, Hannes | |
dc.date.accessioned | 2022-01-19T15:29:52Z | |
dc.date.available | 2022-01-19T15:29:52Z | |
dc.date.issued | 2022-01-19 | |
dc.identifier.uri | http://hdl.handle.net/2077/70402 | |
dc.description.abstract | On 10th of March 2020, due to covid-19, the Swedish Public Health Agency raised the risk
level to “very high”. Meeting restrictions were set to a maximum of 500 people. Before the
month was ended public gatherings with over 50 participants were prohibited, making it
impossible for traveling musicians to make a living. One year on it’s still looking grim. Some
musicians have now waited twelve months for the moment when they can return to work. What
happens to the working musicians during a pandemic? Through qualitative interviews, we
have had six musicians share their experiences of the pandemic. We have taken part in their
interpretations of their own creativity, precarity, economy and self-image during the pandemic.
Together they give us an eclectic picture of what it is like to be a musician without an
audience. While the level of vulnerability and difficulty in working varies, they all agree on
one common driving force: passion. | sv |
dc.language.iso | swe | sv |
dc.subject | pandemi | sv |
dc.subject | pandemic | sv |
dc.subject | covid-19 | sv |
dc.subject | musik | sv |
dc.subject | music | sv |
dc.subject | musikbransch | sv |
dc.subject | kreativitet | sv |
dc.subject | prekaritet | sv |
dc.subject | music industry | sv |
dc.subject | creativity | sv |
dc.subject | precariat | sv |
dc.title | SMITTANDE PASSION - En uppsats om musiker under covid-19 | sv |
dc.type | Text | |
dc.setspec.uppsok | HumanitiesTheology | |
dc.type.uppsok | M2 | |
dc.contributor.department | University of Gothenburg/Department of Cultural Sciences | eng |
dc.contributor.department | Göteborgs universitet/Institutionen för kulturvetenskaper | swe |
dc.type.degree | Student essay | |