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dc.contributor.authorHedberg, Anton
dc.contributor.authorWreeby, Hannes
dc.date.accessioned2022-01-19T15:29:52Z
dc.date.available2022-01-19T15:29:52Z
dc.date.issued2022-01-19
dc.identifier.urihttp://hdl.handle.net/2077/70402
dc.description.abstractOn 10th of March 2020, due to covid-19, the Swedish Public Health Agency raised the risk level to “very high”. Meeting restrictions were set to a maximum of 500 people. Before the month was ended public gatherings with over 50 participants were prohibited, making it impossible for traveling musicians to make a living. One year on it’s still looking grim. Some musicians have now waited twelve months for the moment when they can return to work. What happens to the working musicians during a pandemic? Through qualitative interviews, we have had six musicians share their experiences of the pandemic. We have taken part in their interpretations of their own creativity, precarity, economy and self-image during the pandemic. Together they give us an eclectic picture of what it is like to be a musician without an audience. While the level of vulnerability and difficulty in working varies, they all agree on one common driving force: passion.sv
dc.language.isoswesv
dc.subjectpandemisv
dc.subjectpandemicsv
dc.subjectcovid-19sv
dc.subjectmusiksv
dc.subjectmusicsv
dc.subjectmusikbranschsv
dc.subjectkreativitetsv
dc.subjectprekaritetsv
dc.subjectmusic industrysv
dc.subjectcreativitysv
dc.subjectprecariatsv
dc.titleSMITTANDE PASSION - En uppsats om musiker under covid-19sv
dc.typeText
dc.setspec.uppsokHumanitiesTheology
dc.type.uppsokM2
dc.contributor.departmentUniversity of Gothenburg/Department of Cultural Scienceseng
dc.contributor.departmentGöteborgs universitet/Institutionen för kulturvetenskaperswe
dc.type.degreeStudent essay


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