dc.contributor.author | Karlsson, Sebastian | |
dc.date.accessioned | 2022-11-28T09:40:03Z | |
dc.date.available | 2022-11-28T09:40:03Z | |
dc.date.issued | 2022-11-28 | |
dc.identifier.uri | https://hdl.handle.net/2077/74303 | |
dc.description | Uppsats för avläggande av filosofie masterexamen med huvudområdet kulturvård
2022 30 hp
Avancerad nivå
ISRN GU/KUV—22/33—SE | en_US |
dc.description.abstract | ABSTRACT
Paintings from three selected Gothenburg colorists, Karin Parrow, Ivan Ivarsson and Ragnar Sandberg
were analysed to gain insight into their use of colour. The Gothenburg colorists refers to a group of
artists who were active in the Gothenburg area and west coast of Sweden, most of them had studied
under Tor Bjurström (1888-1966) at the Valand Academy of art during the 20s. The eight selected
artworks were investigated using X-ray fluorescence, Infrared false colour photography and Fourier
transform infrared spectroscopy. Analysis results suggest that the artists overall used cadmium based
yellows and reds, chromium based greens, ultramarine, Prussian and cobalt blues zinc and lead
whites are predominant. Analysis also identified individual characteristics in the different artists' use
of colour. In Ragnar Sandberg's Cyklister, indications of advanced photocatalytic degradation of
cadmium yellow were observed. | en_US |
dc.language.iso | eng | en_US |
dc.relation.ispartofseries | ISSN 1101-3303 ISRN GU/KUV—22/33—SE | en_US |
dc.subject | Gothenburg, colourists, pigment, analysis, Göteborg, Kolorister, Karin Parrow, Ivan Ivarsson, Ragnar Sandberg | en_US |
dc.title | THE GOTHENBURG COLOURISTS - Analysis of selected works by Karin Parrow, Ivan Ivarsson and Ragnar Sandberg | en_US |
dc.type | Text | |
dc.setspec.uppsok | PhysicsChemistryMaths | |
dc.type.uppsok | H2 | |
dc.contributor.department | University of Gothenburg/Department of Conservation | eng |
dc.contributor.department | Göteborgs universitet/Institutionen för kulturvård | swe |
dc.type.degree | Student essay | |