Sátántangó och Passion: varaktighet i realistisk och allegorisk gestaltning

dc.contributor.author	Sjöberg, Oskar
dc.contributor.department	University of Gothenburg/Department of Cultural Sciences	eng
dc.contributor.department	Göteborgs universitet/Institutionen för kulturvetenskaper	swe
dc.date.accessioned	2015-09-22T13:12:37Z
dc.date.available	2015-09-22T13:12:37Z
dc.date.issued	2015-09-22
dc.description.abstract	This essay proposes and examines a coalition between the Deleuzian notion of time-images and two different cinematographic traits: realism and symbolic or allegoric content. The material in question are the films by directors Béla Tarr and György Fehér, whose cinematic qualities are compared to those of Miklós Jancsó and Andrei Tarkovsky. Whilst Tarr and Fehér combine the realistically mundane with a construction of time, Jancsó and Tarkovsky dwelve in allegoric and symbolic imagery which tends a similar construction. The difference is contained within the depiction of realism or allegorism in relation to the duration imbedded in the film.	sv
dc.identifier.uri	http://hdl.handle.net/2077/40621
dc.relation.ispartofseries	Masteruppsats	sv
dc.setspec.uppsok	HumanitiesTheology
dc.subject	time	sv
dc.subject	duration	sv
dc.subject	realism	sv
dc.subject	allegorism	sv
dc.subject	Deleuze	sv
dc.subject	Tarr	sv
dc.subject	Fehér	sv
dc.title	Sátántangó och Passion: varaktighet i realistisk och allegorisk gestaltning	sv
dc.type	Text
dc.type.degree	Student essay
dc.type.uppsok	H2

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