Conflicts in contemporary music interpretation. Brunner-Lachenmann: a case approach

dc.contributor.author	Galindo Agúndez, Antonio
dc.contributor.department	University of Gothenburg/Academy of Music and Drama	eng
dc.contributor.department	Göteborgs universitet/Högskolan för scen och musik	swe
dc.date.accessioned	2012-03-05T14:14:58Z
dc.date.available	2012-03-05T14:14:58Z
dc.date.issued	2012-03-05
dc.description.abstract	Classical musicians have made a habit of reproducing again and again works written between two hundred and one hundred years ago. We even insist on calling to works written fifty to seventy five years ago contemporary music. Through their reflections on society, art and artists face doubts, conflicts, certainties and uncertainties better and faster than any other social influencing field. However they must be updated to the music produced at the time they live; then society can interact in art and performers could interact with composers. The second part consists of a case study in order to better picture the challenge involved in creating something from the very starting point, from the very genesis, surrounded by all its authenticity. Helmut Lachenmann and Eduard Brunner in their relationship during Dal niente creation	sv
dc.identifier.uri	http://hdl.handle.net/2077/28889
dc.language.iso	eng	sv
dc.setspec.uppsok	FineArt
dc.subject	Interpretation	sv
dc.subject	performance	sv
dc.subject	education	sv
dc.subject	contemporary	sv
dc.title	Conflicts in contemporary music interpretation. Brunner-Lachenmann: a case approach	sv
dc.type	Text
dc.type.degree	Student essay
dc.type.uppsok	H2

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