FÄRG ÄR ANDE BILD ÄR VÄSEN: Josef Albers färglära analyserad genom Hans Beltings antropologiska bildteori.

Abstract

The purpose of this dissertation is to investigate Josef Albers’ practically oriented color theory. The survey is done through a framework of Hans Belting’s anthropological theory of images. Apart from text analysis, the dissertation uses a method involving practically oriented color exercises. What the dissertation discusses is how image and ethics can be understood within Albers’ color practice. In addition, the dissertation explores how Albers’ Interaction of Color can be understood as a tool to articulate experiences beyond the physical visible world. The dissertation articulates the viewpoint that by letting Albers’ methodology of color and Belting’s anthropological theory of images interact, both appear with increased clarity. A result of the investigation is a series of conclusions: 1, ‘image’ within Albers’ color practice can be understood as essence that emerges in a synchronous process of perception and fabrication, with the actual ability of making the invisible visible. 2, the dissertation suggests that how Albers interweaves aesthetics and ethics, can be put in connection to his catholic background, and to his background at the Bauhaus school. Furthermore, formation of perception and of morals can be seen as the main purpose of Albers’ color practice. 3, concerning how Albers’ methodology of color can be understood as a tool to describe experiences beyond the physical visible word, the dissertation points back to practice: Albers’ methodology of color, set into practice– possesses an ability to reveal the invisible.