Before Jazz Had a Name

Abstract

This independent artistic research project focuses on Symfoniskt stycke för orgel by Swedish composer Harald Fryklöf, composed in 1916 and originally titled Konsertstycke (In stile profano). Through performance, analysis, and creative transformation, I explore how Fryklöf’s harmonic language anticipates jazz idioms, especially in the use of block chords and extended harmonic colors. Drawing from the Adagio section, I experiment with alternative harmonizations using jazz-inspired techniques. The project also documents my development as a performer and improviser, linking historical repertoire with contemporary approaches. Audio and video recordings of my performances are included to demonstrate both traditional and innovative registrations. This study sheds new light on Fryklöf’s music while reflecting my personal voice as an organist and artist. The project is submitted as part of my Master’s studies at the Academy of Music and Drama in Gothenburg.