Pound's Four Pages: "literary Camouflage" and Postwar Anonymous Propaganda

dc.contributor.authorHentea, Marius
dc.date.accessioned2023-02-17T07:43:40Z
dc.date.available2023-02-17T07:43:40Z
dc.date.issued2022
dc.description.abstractThis essay examines Ezra Pound's behind-the-scenes control of the little review Four Pages, which ran for fifteen issues from 1948 to 1951. After his return to the United States in 1945 to face charges of treason, Pound was declared mentally incompetent and institutionalized in a mental hospital in the nation's capital. With his publishers attempting to rehabilitate Pound's public standing by spotlighting his purely "literary" efforts, Pound had to resort to anonymous publication to continue to have a say on contemporary matters. This essay shows how Pound essentially created and edited a little review to have a venue that pushed his social and political ideas at a time when doing so openly was problematic for legal and political reasons. The use of anonymity as a writer and editor was part of the wider "literary camouflage" that Four Pages engaged in to advance Pound's wider cultural and political agenda.en
dc.identifier.citationPMLA: Publications of the Modern Language Association of America. 137 (3) p. 424-441en
dc.identifier.urihttps://hdl.handle.net/2077/75069
dc.language.isoengen
dc.relation.urihttps://dx.doi.org/10.1632/s0030812922000323en
dc.titlePound's Four Pages: "literary Camouflage" and Postwar Anonymous Propagandaen
dc.typeTexten
dc.type.sveparticle, peer reviewed scientificen

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