Dreams - A Journey through Bach’s Chaconne
| dc.contributor.author | Araújo Edlund, Margarida | |
| dc.contributor.department | University of Gothenburg/Academy of Music and Drama | eng |
| dc.contributor.department | Göteborgs universitet/Högskolan för scen och musik | swe |
| dc.date.accessioned | 2011-12-20T15:06:53Z | |
| dc.date.available | 2011-12-20T15:06:53Z | |
| dc.date.issued | 2011-12-20 | |
| dc.description.abstract | “Dreams” because I had the dream of being able to play Bach’s Chaconne. “Dreams” because through my interpretational work with the Chaconne, I entered spaces that I only can relate with dreams. “Dreams” because I experienced the night- mare in Munch’s The Scream. This thesis is about my interpretation of J. S. Bach’s Chaconne from Partita II in D minor (BWV 1004), and I use Edvard Munch’s painting The Scream as a source of inspiration. My question is: What happens when I use a work of art as a source of inspiration for the interpretation of a piece of music? The experiments, which I made, helped me to find a context and a content for the piece of music, and proved that by using images, when interpreting and playing music, I became more free in my playing, and I could play better. The aim of my work is to find ways of coming closer to the music I play, of investigating my artistic potential, and of managing the ghosts, which live inside me and tend to block my capabilities. | sv |
| dc.identifier.uri | http://hdl.handle.net/2077/28237 | |
| dc.language.iso | eng | sv |
| dc.setspec.uppsok | FineArt | |
| dc.subject | J. S. Bach | sv |
| dc.subject | Chaconne | sv |
| dc.subject | Edvard Munch | sv |
| dc.subject | The Scream | sv |
| dc.subject | space | sv |
| dc.subject | room | sv |
| dc.subject | inter- pretation | sv |
| dc.subject | violin | sv |
| dc.title | Dreams - A Journey through Bach’s Chaconne | sv |
| dc.type | Text | |
| dc.type.degree | Student essay | |
| dc.type.uppsok | H2 |
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