An Exploration of Tone and Vibrato on the Flute in relation to the French Flute School of the Early Twentieth Century
| dc.contributor.author | Kendall, Eloise | |
| dc.contributor.department | University of Gothenburg/Academy of Music and Drama | eng |
| dc.contributor.department | Göteborgs universitet/Högskolan för scen och musik | swe |
| dc.date.accessioned | 2017-09-22T11:30:24Z | |
| dc.date.available | 2017-09-22T11:30:24Z | |
| dc.date.issued | 2017-09-22 | |
| dc.description.abstract | Developing and improving sound quality on the flute is one of the fundamental areas of study for all flautists and vibrato is a key issue with regards to this. The flautists associated with the French Flute School mark a turning point in the history of flute playing and through studying historical recordings it is possible to hear the legacy they left behind. This thesis combines a study of these recordings with my own experimentations of vibrato and sound and results in three of my own recordings of the works discussed, (Gaubert’s Madrigal; “Entr’acte” to Act III of Bizet’s Carmen; and an excerpt from Brahms’ Symphony No. 4) with detailed considerations about both the process and the result. | sv |
| dc.identifier.uri | http://hdl.handle.net/2077/53807 | |
| dc.language.iso | eng | sv |
| dc.setspec.uppsok | FineArt | |
| dc.subject | flute | sv |
| dc.subject | vibrato | sv |
| dc.subject | French Flute School | sv |
| dc.subject | Madrigal | sv |
| dc.subject | Carmen | sv |
| dc.subject | Orchestral Excerpts | sv |
| dc.subject | Orchestral Flute Playing | sv |
| dc.subject | Flute technique | sv |
| dc.subject | Flute Sound | sv |
| dc.title | An Exploration of Tone and Vibrato on the Flute in relation to the French Flute School of the Early Twentieth Century | sv |
| dc.type | Text | |
| dc.type.degree | Student essay | |
| dc.type.uppsok | H2 |
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