Inre sökande

dc.contributor.author	Kurda, Hardi
dc.contributor.department	University of Gothenburg/Academy of Music and Drama	eng
dc.contributor.department	Göteborgs universitet/Högskolan för scen och musik	swe
dc.date.accessioned	2012-09-19T09:29:59Z
dc.date.available	2012-09-19T09:29:59Z
dc.date.issued	2012-09-19
dc.description.abstract	This research explains and describes the role music notations may play in an unconventional way. The aim of this research is to show that by balancing composition, interpretation and improvisation, the performer(s) could produce or open the door to a reservoir of new sounds, which could emerge through a composer’s awareness of the need to balance these elements. That act of balancing depends on the musician’s interpretation through their interaction with the music notation, with their action process on the instrument and each other. This ultimately results in providing listeners’ with a possibility of the new and exiting sound experience.	sv
dc.identifier.uri	http://hdl.handle.net/2077/30324
dc.language.iso	swe	sv
dc.setspec.uppsok	FineArt
dc.subject	creation	sv
dc.subject	composition	sv
dc.subject	interpretation	sv
dc.subject	reflection	sv
dc.subject	interaction	sv
dc.subject	improvisation	sv
dc.title	Inre sökande	sv
dc.title.alternative	Inner search	sv
dc.type	Text
dc.type.degree	Student essay
dc.type.uppsok	H2